White River Gallery

Curator – Dian Parker

35 S. Windsor St.
South Royalton, VT 05068
802. 498.8438

Monday-Friday, 10-4

By appointment, contact: gallery director and curator, Dian Parker: dianparker9@gmail.com

White River Gallery is supported by Vermont Arts 2018

 An interview about White River Gallery:




    Opening May 5, Saturday, 4-6 m, with artists talk

Petroglyphs, Flora and Frenzied Encounters:
The Hand-Pulled Prints of Betsey Garand

  APRIL 2 – June 15, 2018

   Curated by Dian Parker

These recent prints of Betsey Garand represent the continuous balance and growth of physical and psychological life. The colors are layered biomorphic and geometric shapes, combining delicate nuances with accents of vibrancy and transparency. Garand uses a combination of techniques; woodcut, monotype, pochôir, spit-bite aquatint, lift-ground aquatint, and à la poupée. The prints create the luscious varieties of form, color, and change inherent in nature. These works are fluid, amorphic, richly colored, and intensely dynamic.

Betsey Garand is presently Senior Resident Artist at Amherst College in the Department of Art and the History of Art, where she is head of printmaking. Garand has shown in many exhibitions and in numerous public and private art collections; Dadapost Gallery-Berlin, Germany; Santa Barbara Museum of Art; Hammer Museum’s Grunwald Center for the Graphic Arts; Arkansas Arts Center; Tokyo Geijutsu Daigaku-Japan; Art Museum of Estonia. Awards include a Pollock Krasner Foundation Grant, and fellowships at Dorland Mountain Arts Colony and the MacDowell Colony. 


Americans Who Tell the Truth

Curated by Chris Wood @BALE
MARCH 3 – 30
Activist and painter Robert Shetterly launched his “Americans Who Tell the Truth” project 16 years ago. He now has over 180 portraits and narratives that highlight citizens who courageously address issues of social, environmental, and economic fairness. Two people honored with portraits are Bill McKibben and indigenous Penobscot activist Sherri Mitchell. They will both be present and reading from their new books (McKibben’s “Radio Free Vermont” and Sherri Mitchell’s “Sacred Instructions”) at Chase Community Center, Vermont Law School in South Royalton (5:15-7 PM) on Saturday, March 3. Art opening precedes the talk from 3-5 at White River Gallery. For more info: chris@balevt.org. 802-498-8438

POST-APOCALYPTIC WOODCUTS by Peter Schumann of Bread & Puppet January 15 – March 2, 2018

Opening reception, Feb. 3, with Performance by Peter Schumann & Co. 

Inspired by Albrecht Durer’s 1495 apocalypse woodcuts, Peter Schumann cut this
series in masonite in the early months of 2017. Lila Winstead added assemblages of
carved words, from the Bread and Puppet print shop archives, and printed them
on large muslin fabric. These Post-Apocalyptic woodcuts for the 3/4 Empire address the brand-new horror of our own Empire Boss, who threats to eliminate whole countries for non-compliance with Empire politics.

      B & P.JPG   



Patrick Dunfey

Dunfey - Breach

Summer, 2017

 W. David Powell: The Golden Era of the New Dawn & other distractions
Spring, 2017

W. David Powell - Broadcasting Democracy




Past and future shows at the White River Gallery: curated by Dian Parker

1. Winter 2016 – The Power of Black Ink – Lynn Newcomb; etchings and lithographs

2.Spring 2016 – Who Turned on the Light? – James Vogler; oil paintings

3. Summer 2016 – Fully Involved – Bunny Harvey; semi-abstract landscape oil paintings

4. Fall  2016 – Touching at a Distance – Brenda Garand; sculptures and drawings

5. Winter 2017 – National Tour – Award-Winning Audubon Bird Photographs from 2016

6. Winter  2017– Expansions – Jasper Tomkins; acrylics

7. Spring 2017 – W. David Powell; collages

8. Summer 2017 – Patrick Dunfey; large paintings on paper

9. Fall 2017 – John Parker; assemblages

10. Winter 2018 – Peter Schumann; Woodcuts


photo_awards_grid_0AUDUBON PHOTOSgarand-deluge-2-2016.jpgBRENDA GARAND

 Bunny HarveryBUNNY HARVEY

James voglerJAMES VOGLER